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26 by 26

So I follow this amazing behavior change doctor on Instagram and she made out her 26 by 26 list—a list of things that would give her an amazing start to the new year. She has some rules around them: they have to be one and done things… something that wouldn’t show back on the list the next day. For instance, an exercise program or meditation practice. And she was really clear about what happens if she doesn’t finish them.
Nothing. Nothing would happen.
I LOVE that. It takes the 26 by 26 from a to do list, (like I need more of those!) to something fun. A slap, a tickle, a lark. So being someone who loves lists and goals (blame the cap sun/virgo rising in me), I was in! I included fun stuff and stuff that, if completed, would actually CHANGE how I felt going into 2026. I wrote up this list back in November and have been steadily crossing stuff off as the weeks roll by. What is very telling is the stuff I have done and the stuff that is still lingering on the list. Without further ado, I give you my 26 by 26 list!
1. Organize bathroom drawer
2. Wash blinds
3. Ride on the Sumpter Christmas train through the Blue Mountains
4. Clean oven
5. Finish Studio Ceiling
6. Wash kitchen ceiling
7. Make comprehensive business plan for Powder House Publishing
8. Have a winter picnic
9. Hold a Teri birthday party/bonfire
10. Graduate (conferral day is 1/1/26, but I am counting the last day of term as the day cause I
will be done!)
11. Finish putting garden to bed
12. Clean out and wash fridge
13. Organize dresser drawers
14. Take two boxes to Goodwill
15. Purchase exercise bike
16. Write eight blogs (this one is number seven!)
17. Wash bathroom walls
18. Read 1 nonfiction book
19. Read 1 fiction book
20. Wash inside of car window
21. Wash car
22. Wash kitchen walls
23. Make doctor appointment
24. Make appointment with lawyer to talk about Living trust/will
25. Go to a sound bath
26. Clean out desk
I am on track to finish the majority of them. Some have been waiting for YEARS to get done, like wash the blinds. And oddly, enough, washing the inside of the window is almost an impossible task for me to do. I HATES it, precious, yes I do. Some take the cooperation of others, like finish the studio ceiling, but I WASHED THE KITCHEN WALLS!
So yes, I will be going into 2026 feeling much lighter and more spacious. Some of those things had been weighing on me for years and now I simply don’t have to think about them. Others, like having a winter’s picnic and riding on the Christmas train have been on my bucket list.
And that is the magic of making a list like this without expectations. Next year, you can bet I’ll be making a 27 by 27 list!
Almost live…
What a week!
I was so amazed by the marketing call I had with Olivia from Story Flow Solutions that I joined her Collective. From the call, I gained clarity, solid information and best of all, a long checklist that makes launching a book and planning this aspect of my career so much easier! Worth every penny and for what I recieved, so affordable!The collective has been a revelation. Within the very supportive community, Olivia shares valuable information freely and the other authors are so supportive! I really missed the author community I left in PDX and this has been so good for me.
In addition, I had a great call with my web person and she fixed the snafus I’d been having trying to offer my Summer’s End novella for free. I’m a bit technologically challenged, but I am relieved that i was almost there. I had integrated the two programs correctly, I was just not getting the code right. but now it is fixed and the free novella, the bonus end of my Summerset series is available for download after signing up for my newsletter! Whew! So what are you waiting for? Go sign up and download! Just hit the newsletter tab and there you go!
Still waiting for her to come up with a new logo design for the site and I will be set!
Also, my agent informed me that I have editor interest in a proposal we sent out! I just need to clarify a couple of points and the editor will take it to her team. Like, how exciting!???
Becoming a hybrid author is a steep learning curve and so much of it is finding the right people to support me, building the infrastructure to publish my books under my own imprint and continuing to create quality proposals for my agent.
And finally, look at the surprise my husband gifted me with! He is the best!! This is on my writing studio that will (hopefully), be done this spring.

Cover Reveal
I am so very proud of this cover… this is the first cover that I had a real voice in designing. I sat next to my amazing designer/fellow writer/friend, Debbie Schoeningh, and we tweaked it together. And tweaked, and tweaked and tweaked. Everytime we thought we had it done, I would change my mind or get input from my amazing marketing person or something… and we’d have to play with it some more. Here is the final product for Powder House Publishing’s First release, Fall River.

In case you don’t remember what this one is about…
What if the best Lizzie Borden story isn’t about Lizzie at all?
In the summer of 1878, Clara Lodge, a 15-year-old orphan, is sent to live with her cousin, Lizzie Borden in Fall River, Massachusetts. What begins as an uneasy stay inside the oppressive Borden household soon spirals into a season of dread that leaves Clara marked with secrets and scars that she will carry for the rest of her life.
Now married and far from Fall River, Clara has achieved a fragile peace of mind, but when Lizzie is accused of murdering her parents, Clara is drawn back to the city she fled. To heal, she must confront the cousin she fears, the memories she buried, and the truth she tried so hard to forget.
Told across three timelines in one woman’s life, Fall River is a chilling blend of history, psychological suspense, and gothic horror—a reimagining of the Borden legend that asks: how long can the past stay buried before it comes for you?
Perfect for fans of Simone St. James, Kate Morton, and Jennifer McMahon, Fall River is a frightening and unforgettable reimagining of the Borden story.
Brown’s deliciously eerie page-turner is as shocking and haunting as the murders upon which it’s based. A daring, enthralling journey into the darkest depths of the human mind, Fall River held me in its chilling grip from start to finish.
—Cat Winters, Bram Stoker Award nominee for In the Shadow of Blackbirds
Do you love? Because I love. And better yet, you can pre-order here!
I have more information coming soon about my newsletter and a free give away for you Downton Abbey fans, but that is after I figure out my tech issues. Or have someone else figure them out as the case may be! Now, go back and look at my cover!
Happy sigh!
Reflection, Gratitude and Looking Ahead
As I make the transition from a traditionally published author to hybrid author, I find myself reflecting back on the good, the bad and the ugly about my traditional publishing experience.
The Good: Getting multiple offers from agents on my first query go around and choosing one of the most powerful in NYC.
The Bad: Getting dumped by said agent three years later after one book sale.
The Ugly: Going through five agents during the course of my career (Got dumped by two, and left two).
The Good: Finding a critique group that helped immensely with my writing.
The Bad: Getting attacked by critique group because I was arguably the weakest writer in the group and yet the first to land an agent.
The Ugly: Learning to deal with real insults and perceived insults with critique partners and groups. Not easy.
The Good: Getting a six-figure publishing deal.
The Bad: Less than optimal sales on much hyped book.
The Ugly: Getting subsequently less money in advances.
The Good: Going to Book Expo of America in NYC and signing 200 books! Fancy agency party! Publisher party! Meeting R.L. Stein at a fancy children’s bookstore party in NYC! Visiting my editor, Lauren McKenna at her fancy corner office! (I’m from Alfalfa Oregon, everything about that trip felt fancy!)
The Bad: Not having enough photos of that optimal experience.
The Ugly: NYC taxi rides
A couple more peak moments include:


My daughter running into her mom’s book at Barnes and Noble circa 2013, and being featured at a tea party by the incomparable Jane Porter in 2014.
As I transition into this new venture, I am incredibly grateful for all of the experiences I’ve had as a traditionally published author. I am so very, very blessed. I’m also looking forward to all the adventures to come as I both publish my own books and continue to work with my agent on new opportunities in traditional publishing. What a wonderful time to be an author!
Introducing Powder House Publishing LLC!!!
Over the past few months, I have been working on a special project. I have hinted at it, but never explained what I’m actually doing. The reasons for that are complex, but part of it had to do with working out how I would be perceived. As an author who initially had extraordinary publishing success in both young adult and adult, I was afraid that choosing to go this route might be perceived as a kind of failure, instead of the incredibly self- empowering adventure that it is.
To recap, In 2008, I sold my first book to Simon Pulse—a light contemporary romance about a deaf teen. I didn’t sell again until 2012 during the wild and wooly days of massive young adult successes and massive advances for the next big thing. I nabbed one of those advances, as did several of my author friends. The YA novels Born of Illusion, Born of Corruption (an e-novella) and Born of Deception about Harry Houdini’s Illegitimate daughter, created a massive amount of excitement…among adults, anyway. The same year, I sold a 3-book series to Lauren McKenna from Gallery. An adult series, set in the fabulously popular Edwardian Era, The Summerset series went on to sell widely internationally. It did less well in the US and Gallery didn’t pick up my fourth in the series. I had a series of agent catastrophes, returned to school to get my degree and embarked on an excited new career… not to mention moving 300 miles from the place I lived in for 30 years. So my traditional publishing career wasn’t as robust as it once was.
I still wrote, but without the fervor of the early years, and the market changed drastically during that time. Independent publishing gained traction and respect. The publishing world tightened it’s belt, cautiously navigating the new landscape. Proposals my fabulous agent, Laura Bradford, thought would surely sell, did not. If the pandemic taught me nothing else, it taught me how to pivot so here I am: Ladies and Gentlemen, I give you…

After working through my angst about what PEOPLE MIGHT THINK (as if they really think about me that much!), I’m giddy about the possibilities this new chapter and am excited about the impact it will have on my writing life. Powder House Publishing LLC will allow me to publish the books I love and want to write without waiting for others to decide if they are marketable or not. This gives me the opportunity to branch out in unexpected ways in unexpected genres. In addition, I am learning so much about myself, my writing, marketing and publishing.
Right now, I am laying the infrastructure that will underpin and strengthen my business so I can create the work I want to share. In the next few weeks, I will have a pre-order for my dark, literary Lizzy Borden book, a newsletter sign up, and a free novella for my readers.
I hope you will all join me on this journey!
My Writers Block Unmasked

Most writers know what it is like to be blocked. For me, it’s less about sitting down to write and being unable to than avoiding the writing altogether and making up fantastical chores or tasks to keep me from BITCHOK. (Butt in chair, hands on keyboard.)
I do have to admit that I am absolutely a top-notch avoider. Like, seriously, it’s my super power. How many people do you know that would rather run thousands of miles and train for the Hood To Coast relay to avoid their muse? How many people do you know will spend thousands of dollars on a university education to keep from actually writing the thing? Not that my degree in English Lit and Creative Writing is completely useless. I have totally deepened my knowledge of my craft… to avoid plying my craft. Ha!
My block is a general writing malaise. oh, I had spurts of creativity the last few years…enough to limp a manuscript to my agent which got absolute crickets when she took it out, and several proposals for IP’s which went nowhere, but the fire that allowed me to write five books in a year was nowhere to be seen.
So last year, in between doing bouts of homework, I dug deep and learned quite a bit about my blocks and how to address them. What I discovered was that for me, the basis of most of my procrastination techniques stemmed from fear. Some of the fears were writing based and some of them were just tendrils of that age-old fear of feeling unworthy. Some of them include:
- Not having anything new to add. (My writing isn’t original enough. The courses I want to offer won’t be deep enough or helpful enough, the services I could offer are stupid, etc.)
- That I’d never live up to my early success as a novelist
- Being seen as a failure
- Being judged
- Being seen period
- Not trusting my follow through
- Not being good enough
Can you relate?
And yeah, these are just the beginning. Once I realized how much of my writing resistance was due to fear, I went about addressing those fears with the same single-minded Capricorn/Virgo energy that I bring to everything. I excavated the mini traumas that lurked beneath the fears to soothe the hurt child underneath it all. For me, it wasn’t so much as getting rid of the blocks as it was shedding light on them, integrating them and accepting those parts of myself.
So I doubled down on the habits and techniques that helped me do that. I’ll list them here, but keep in mind that just because they’re working for me, doesn’t mean that they’ll work for you. Self acceptance is pretty unique to the individual,
- EFT Scripts: EFT (Emotional Freedom Technique) This exercise combines acupressure with affirmations. Once I learned how to do it and experienced it’s usefulness, I started writing my own scripts that addressed individual blocks. For instance, I wrote one addressing intrusive thoughts about myself and my writing.
- Meditation: This is one of my go tos. It has increased my awareness of my inner chatter and helped me spot those intrusive thoughts as they arose in my mind. Awareness is deadly against my inner editor!
- I journal on the daily. It’s been crucial to seeing my patterns, as well as my growth. I love looking back at old journals to the person I was and marvel at the changes in my life and attitude.
- Movement: Since I am no longer able to run, I have gone all in on strength-training and this has been crucial for my diabetes, mood and confidence. All women should lift heavy shiz.
- Nutrition: I eat all the good things and avoid the things that I know don’t support me.
EFT tapping, meditation and journaling have directly addressed my blocks, while nutrition and movement have supported my physical healing and increased my energy levels. Energy is key to creativity.
Don’t get me wrong, the fear that I’m not good enough, that I’ll fall flat on my face or that people will ridicule my efforts, is still there, Some nights it sits on my chest, hot and heavy, grinning at me with large yellow eyes like the Cheshire Cat. Added to my general anxiety over the world at large, it’s a wonder that I can create at all. And yet, I know deep in my bones that we were born to create. That I was born to create. And that means addressing my blocks and getting to it.
More to come.
Born to Create, Conditioned to Consume

We were created to create.
In my insomnia addled brain, this concept makes total sense to me. I see little ones creating the moment they can hold a crayon in their chubby, toddler hands. Children tell stories as soon as they can string words together, their pretend worlds as real as reality, their sentences punctuated with wide-eyed sincerity. Whatever part of our brain is responsible for imaginative musings is fully alive in children, electric with vitality and stretchy possibilities.
At some point many of us lose that connection, drilled out of us by multiplication facts, the laws of grammar and the needs of a capitalistic society—we all want to eat and put a roof over our heads, after all.
Historically, communities have nurtured and nourished the artist in their midst—one wonders if cave painters were given their due. In many indigenous cultures, the word art does not exist, as beautiful things were integrated into everyday life through the exquisite craft of practical items. During 14th century Europe, artists were seen more as craftsmen and wandering musicians were given food and exposure on feudal estates. During the Renaissance, where the rich and titled fought for the privilege of having an artist in residence. Then of course, the printing press changed everything and the rise of media created celebrity artists. Campbells soup cans, anyone?

The above is a fast and incomplete take on the history of how creators were treated throughout history and I am totally cognizant of the fact that the stereotype of the starving artist was grounded in reality. But my point remains, we were born to create.
Unfortunately, we are also now conditioned to consume. That should actually be a T-shirt. Born to create, conditioned to consume. If we are all busy scrolling, distracted by adverts, funny videos and the hustle needed to buy all the things we need, as well as the stuff we are told we need, then we have little time to create. Soon, with the rise of Artificial Intelligence, we won’t need to create—it’ll be done for us. What happens to a culture where creativity has gone to die? Ironic that writers, (creators) have already told us what happens. Spoiler alert: It ain’t pretty.
So how can we, as a global collective, fight against the slow painful death of creativity by hustle culture and AI? We double down. We create more art. We share messy human art. We kick perfectionism to the curb. We celebrate artistic attempts, even if they don’t make money. Especially if they don’t make money.
I wrote a poem the other day for poetry class. Honestly, I hated it. I am not a fan of poetic structure, though I’m hoping that as I learn more, I will begin to appreciate it. Specifically, my poem was a sonnet. A very bad sonnet. A very, very bad sonnet. I’m not even joking here. As an aside, have you ever tried to read a sonnet out loud? Am I the only one who feels the clunkiness of it in my mouth? Even Shakespeare’s sonnets with their exquisite imagery, make me feel like I am chewing rocks when I try to speak them, which is odd because his plays are better understood when read out loud.
Anyway, I am sharing my really bad sonnet here as encouragement. If I can share this, maybe you will feel better about sharing your scribbles, words, imperfect crafts and de-glossied (or would it be anti-glossy?) content. Let’s create a world where both good art and bad art are celebrated. It’s all subjective anyway, isn’t it? I know that some people will cry about standards and participation trophies. I am not saying that there aren’t many people who can write a much better sonnet than I can. I am just saying that if we are born to create, even need to create, that effort should be celebrated. After all, AI may be able to write a better sonnet than I can, but it’s not real, it’s not human. And by celebrating bad art, as well as good art, isn’t it our humanity that we are celebrating?
Really Bad, First, (And Last) Sonnet By Teri Brown
Love me true across the decades of time
Our wrinkles meld together like playdough
In sickness and health and post-nasal grime
Our touch still inflames in gray-haired afterglow.
Finish my sentence and I’ll finish yours
The heartbeat of irritation so true
White teeth bitten lips and hard slamming doors
Still here, still loving like cracked yellowed glue.
Ancient and grizzled, completely in sync
Years worth of grievance plowed deep underneath
Your heart and my heart are the same, I think.
When I die, my love my heart I bequeath.
A well-oiled machine, parts grow loose with time,
I am yours, you are mine, regardless of rhyme.
Ahem. Carry on and create.

Building a Writer’s Community
One of the things I was looking for when I moved to my small Eastern Oregon town was community. I have really good childhood memories of grange events—dime a dip dinners, Christmas parties, Halloween haunted houses and dances. Like many granges, the old Alfalfa Grange witnessed a lot of changes. I wonder if it is still active or if it, like many other granges across America, fell victim to the lower rural population and the changing needs of the populace?
I get a lot of joy community building here in North Powder as a member of the library board, the Firewise Coordinator and, wait for it, a member of Wolf Greek Grange. Here are some pictures of the Grange’s chili feed from last weekend.

Our grange is small but mighty, held together by members who want to build and grow and make the grange a place of community care. Because I believe so strongly that strong, resilient communities are the only way forward, I am working hard to make the grange a place where old and young alike can thrive.

I think in many ways, my entire adult life has been in search of that long ago community. For a while, I found it in church, and I married into a strong family that celebrated everything. One of my favorite communities, though was in the writer’s group I found myself a part of in the mid 2000’s. Core members included authors Miriam Forester, Cat Winters, Kelly Garret, Jen Reese. Others came and went and added much to our small collective. Our group was also featured in the Oregon Art Beat segment on Cat Winters. You can access the video here:Cat Winters Oregon Art Beat
Community Building Tips for Writers
- Decide what you need in a writing community. I was excited when a writer’s group formed here in North Powder, but no matter how hard I tried, it just didn’t meet my needs. There were too many people and too many opposing ideas of what it should be. I left on good terms and wished them all well, but it was a lesson to me to be clear going in on what my needs were. I realized that I could never replicate the writer’s group that I had lost and my current writer’s community includes occasional virtual meetups with friends, plus editorial, mentoring and marketing help that I pay for. It’s what I need in my life.
- Understand that people are imperfect and community building can get mired in human messiness if you aren’t careful. Avoid gossip, judgements and be mindful that people are triggered by a variety of things. I once didn’t talk to an author friend for several years because of an unfavorable critique. My feelings were hurt, I lashed out and that was that. Thankfully, I am far more thick-skinned, emotionally resilient and have a better understanding of my triggers. And that friend is now one of my dearest friends.
- Seasons change. Needs change. People change. I lost that original writer’s group when I got a full-time job and returned to school to get my English Lit and Creative Writing degree. Time was at a premium and I just couldn’t swing it. One of the members had a baby. Another’s husband got very ill and she had to drop out. The group remains a shining memory of friendship and an exciting part my writing career.
Community building is a passion of mine, whether it’s in my writing life or my outside life. My day job is, ironically, all about building communities here in Eastern Oregon. It’s something I gravitate to naturally, probably stemming from those long ago parties at the Alfalfa Grange Hall. I believe that novels are also about building community building, albeit a fictional one… but that is for another blog!

Capacity Two or Perfectly Imperfect
When I first blogged about capacity, I thought I had my shiz together. Mostly. The universe had other plans and I let something I care about slip through my fingers. Boy, does that send this recovering perfectionist into a spiral. Fortunately, I’ve learned a lot about how to be both accountable to others and have compassion for myself. So, I apologized for letting people down and did my best to move on, trying not to attach stories to the mistake about how other people were judging me because here’s the thing, one, people aren’t thinking that much about me and, two, if they are judging me, that’s on them, not on me.

But the incident got me thinking about how I approach capacity, boundaries and how I manage my energy. I came across a quote from a book I just finished that really resonated for me.
“Balance your body, mind, and soul. Without a balance, you may become unhappy. Spend time doing things related to all these three aspects of you. For your body, take care of it, have fun with it, enjoy it, use it, exercise it, feed it well, rest it. For your mind, continuously feed it with new knowledge, exercise it, think properly and deliberately, rest it. For your spirit, learn about it, exercise it, meditate and get in contact with it. And for all three, listen to them and honor what they tell you, and love them.” David Cameron Gikandi, Happy Pocket Full of Money
This hit hard because being balanced, centered, and rooted is how I manage my energy and how I navigated the incident I mentioned above. Journaling, meditating, movement, nourishment and creativity are some of my favorite energy management tools. My intention is to always plan meals, move, incorporate good, solid habits into my life and use the present moment to make choices that will set me up for success in the future. That’s how I exercise my ability to hold things, to grow my capacity without shortchanging my soul and my relationships. Sometimes everything goes according to plan and works out perfectly.
And sometimes I fall on my face.

That’s when healthy compassion comes in because failure is a part of growing, learning and living and the only way to avoid it is to avoid life.
As my school career comes to a close and an exciting new chapter unfolds, I am going to have to exercise those self-compassion muscles because I KNOW I am going to make mistakes and fall on my face. I KNOW people will make snap judgements about what I write, how I disseminate that writing, where my career is at and the choices I make. Their judgement is not my concern. Mistakes and failures are not my concern. My only concern is living my own life according to my values of creativity, community and connection and that is where my energy and my capacity live.
Forthcoming!
As some of you may have noticed, I have been doing a little work here on the website in preparation of all the good things to come. I added a page called Forthcoming which is where I’ll put upcoming releases. While the covers are not completed yet, I am putting the rough back cover copy here so y’all can get excited. (So be excited!) So without further ado, I am giving you FORTHCOMING!
Fall River
Brown’s deliciously eerie page-turner is as shocking and haunting as the murders upon which it’s based. A daring, enthralling journey into the darkest depths of the human mind. Fall River held me in its chilling grip from start to finish.
—Cat Winters, Bram Stoker Award nominee for In the Shadow of Blackbirds
What if the best Lizzie Borden story isn’t about Lizzie at all?
In the summer of1878, Clara Lodge, a15-year-old orphan, is sent to live with her cousin, Lizzie Borden in Fall River, Massachusetts. What begins as an uneasy stay inside the oppressive Borden household soon spirals into a season of dread that leaves Clara marked with secrets and scars that she will carry for the rest of her life.
Now married and far from Fall River, Clara has achieved a fragile peace of mind, but when Lizzie is accused of murdering her parents, Clara is drawn back to the city she fled. To heal, she must confront the cousin she fears, the memories she buried, and the truth she tried so hard to forget.
Told across three timelines in one woman’s life, Fall River is a chilling blend of history, psychological suspense, and gothic horror—a reimagining of the Borden legend that asks: how long can the past stay buried before it comes for you?
Perfect for fans of Simone St. James, Kate Morton, and Jennifer McMahon, Fall River is a frightening and unforgettable reimagining of the Borden story.
Puppet (May, 2026)
When Azzura (Az) Collodi, an aspiring puppeteer, is asked to perform for a mysterious puppet master at the Palazzo Grimani, she’s torn. On one hand, it’s a dream come true, on the other, her grandfather, one of the most famous marionette makers in Europe, would strongly disapprove. Rudolpho Collodi might have been a brilliant toymaker, but he was also a notorious occultist and ruled the family—Az’s twin brother and their silent, beautiful mother with an iron fist, rarely letting anyone out of his sight. If caught, her punishment would be banishment from everything she’s ever known and yet the lure of proving herself on stage is undeniable and she agrees on the condition of anonymity.
Az is soon drawn into the cutthroat, competitive world of Venetian puppetry, where nothing is as it seems, including the puppet master who knows more about her than he should, and the secretive actor who plays opposite her in the play—as Pinocchio. As her 21st birthday approaches—the day a witch’s power fully manifests— she discovers that she is animator and her talent as a puppeteer is due to her ability to bring marionettes to life. When she learns that a curse has been placed on her family, she must find out who did it and why before her family is destroyed.
Filled with witchcraft, romance and betrayal, Puppet is set against the colorful backdrop of the 1895 Venetian Carnival and retells the story of Pinocchio—through the eyes of the Blue Fairy.
Covers coming soon!
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